Shattered Globe Theatre presents the Chicago Premiere of SHEEPDOG. Playwright Kevin Artigue dissects an interracial relationship of cops turned lovers. Artigue's story starts with Leslie Ann Sheppard (Amina) coming home to confront Drew Schad (Ryan). Schad playfully announces the dinner he cooked isn't the greatest. A somber Sheppard utters the wince-worthy words, 'we need to talk.' This pivotal moment is supported by a ...
The Fourth Walsh
Theatre with a side of life
Category The Shattered Globe Theatre
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Review “Five Mile Lake” (Shattered Globe): Dreaming Big, Living Wistfully
Shattered Globe presents FIVE MILE LAKE. Playwright Rachel Bonds puts her own spin on the familiar question 'Can you go home again?' Drew Schad (Danny) and Joseph Wiens(Rufus) have returned to their hometown. Each is retreating from complications of the real world. Their siblings, Daniela Colucci (Mary) and Steve Peebles (Jamie), never left home. They provide their siblings with the ...
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Review “For Peter Pan on Her 70th Birthday” (Shattered Globe): Missing Some Whimsy and Drama
Shattered Globe Theatre presents the Chicago premiere of FOR PETER PAN ON HER 70th BIRTHDAY. Live theatre provides its own unexpected moments of magic. In last night's show, I sat in front of Playwright Sarah Ruhl as she watched her mom (Kathleen Ruhl) perform. Sarah had penned this play based on an actual event in her mother's life. ...
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Review “The Whaleship Essex” (Shattered Globe): See-Worthy!
Shattered Globe Theatre presents the Midwest Premiere of THE WHALESHIP ESSEX. Founding member of Shattered Globe Joe Forbrich melded his theatrical and nautical experiences to pen this whale tale. In 2008, Forbrich was an apprentice shipbuilder by day and an actor by night. During this East Coast stint, he became versed in the shipwreck of the ...
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“Our Country’s Good” (Shattered Globe): True Dramedy
Shattered Globe Theatre presents OUR COUNTRY’S GOOD. Timberlake Wertenbaker’s clever premise imagines the 1788 British export of criminal types to Australia. The penal colonization is managed by a collection of dignified and smarmy soldiers. Within this new world, Wertenbaker places a play within a play. The convicted are forced into theatrical roles. The coerced opportunity turns redemptive. ...