Chicago Shakespeare Theater presents Olney Theatre Center’s production of AVAAZ.
Upon arrival to the 6th floor studio theatre at Chicago Shakes, the audience is greeted by sumptuous eye candy designed by Beowulf Boritt. Several elegant chandeliers dangle over a lavish spread of apples, greenery, candles and ornate brass pitchers and holders. Along the back wall are three majestic and oversized mirrors. The vibe is warm and welcoming. The look is opulent and over-the-top. The tone has been perfectly set for the arrival of the hostess, who is warm, welcoming, opulent and over-the-top.
In flowing tapestry-woven robes, Roya glides into the theatre from the back. She greets guests with personal messages and snarky sidebars. She tells me that her outfit is authentically from Iran except for the Gucci belt she got for a steal in Chicago’s Gold Coast neighborhood. She meanders to the stage to officially welcome everyone to her home for the first day of Nowruz, the Iranian New Year. For the next ninety minutes, Roya will entertain and educate the audience on Iranian words, culture and attitudes. It’s an international crash course to understanding both the Iranian and Iranian-American experience.
Writer and performer Michael Shayan gives voice to his mother. Shayan lovingly portrays his mom as a larger-than-life personality. He shares her story and his Iranian roots with symbolic nuggets and ongoing one liners. Shayan even has his mother make fun of him. Roya often refers to her ‘gay son the writer.’ The schtick is self-depreciating humor that Shayan reenforces when Roya interacts with gay and/or theatre folks in the audience. Under the direction of Moritz von Stuelpnagel, the rhythm of the show makes for a lively dinner party. The quick-witted Shayan mingles with the guests and also serves up spicy Iranian tidbits. His bountiful banquet feels organic and savory.
AVAAZ is Farsi for ‘voice.’ This show definitely gives voice and builds depth and understanding to a culture often misconstrued by negative stories in the media. Shayan’s national tour with this Chicago debut is an opportunity to reach across the table, the aisle, and the ocean to learn about real people with identities anchored in centuries of tradition. And the life lesson is spoon-fed to us by a gracious and boisterous hostess.
Running Time: Ninety minutes with no intermission
At Chicago Shakespeare Theater at Navy Pier,
Written and performed by Michael Shayan
Directed by Moritz von Stuelpnagel
Performances are:
Tuesdays, Wednesdays, Thursdays, Fridays, Saturdays at 7:30pm
Saturdays and Sundays at 2:30pm
Thru February 9
For more information or tickets
Production photos by Teresa Castracane
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